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Sound Theory, Sound Practice

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Originally published 1992
Editors Rick Altman
GenresFilm Criticism
Date of Reg.
Date of Upd.
ID2100589
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About Sound Theory, Sound Practice


Cinema as event - The material heterogeneity of recorded sound - Four and a half film fallacies - Sound space - Reading, writing and representing sound - She sang live, but the microphone was turned . . .

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