Pia Tassinari
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| Gender | Female |
|---|---|
| Death | 28 years ago |
| Date of birth | September 15,1903 |
| Zodiac sign | Virgo |
| Born | Modigliana |
| Italy | |
| Date of died | May 15,1995 |
| Died | Faenza |
| Italy | |
| Spouse | Ferruccio Tagliavini |
| Genres | Classical |
| Albums | Cilea: L'arlesiana |
| Job | Opera singer |
| Songs | The Cherry Duet |
| Lotano, Lotano | |
| L´altra notte in fondo al mare | |
| L'amico Fritz: Son pochi fiori | |
| Mozart: Requiem In D Minor, K. 626 - 3. Sequentia: Tuba mirum | |
| Mozart: Requiem In D Minor, K. 626 - 8. Communio: Lux aeterna | |
| The Gay Life: Act II, You Will Never Be Lonely | |
| Come vorrei saper - I gran Signori sol | |
| Non mi resta che il pianto | |
| La Traviata : Atto 3 Parigi, o cara, noi lasceremo [Alfredo, Violetta] | |
| Chopin: Grand Aria | |
| Tardi si fa - Sempre amar! | |
| Werther: M'ha scritto che m'ama | |
| Georges Bizet: Carmen, Act I: Preludio | |
| Georges Bizet: Carmen, Act I: È l'amore uno strano augello | |
| L'amico Fritz, Act II, Scene 2: Suzel, buon dì | |
| O soave fanciulla | |
| Georges Bizet: Carmen, Act IV: Carmen: un bon consiglio | |
| Tosca, Act I, Scene 5: Or lasciami al lavoro | |
| Georges Bizet: Carmen, Act II: Intermezzo musicale | |
| Mefistofele, Act III: Lontano, lontano | |
| Georges Bizet: Carmen, Act I: Intermezzo musicale | |
| Manon, Act I: Nous vivrons a Paris | |
| Adriana Lecouvreur: Io son l'umile ancella | |
| L'amico Fritz, Act I, Scene 4: Viva lo zingaro! & Per voi, ghiottoni inutili | |
| L'amico Fritz, Act I, Scene 3: Son pochi fiori, povere viole | |
| Le nozze di Figaro, K. 492: De vieni non tardar | |
| Falstaff: Act I, Falstaff! Olà! | |
| Cavalleria rusticana, Scene 4: Voi lo sapete, o mamma | |
| Requiem in D Minor, Kv626: Rex Tremendae | |
| Georges Bizet: Carmen, Act III: Intermezzo musicale | |
| Falstaff: Act I, Quell 'otre! Quel tino | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1369734 |
Pia Tassinari Life story
Pia Tassinari was an Italian soprano and later mezzo-soprano, particularly associated with the Italian and French repertories. Born Domenica Tassinari, she studied with Vezzani and Marcantoni, and made her debut in 1929, as Mimi, in Casale Monferrato.
