Murray Dickie
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Death | 30 years ago |
| Date of birth | April 3,1924 |
| Zodiac sign | Aries |
| Born | Bishopton |
| United Kingdom | |
| Date of died | June 19,1995 |
| Genres | Classical |
| Albums | Fidelio |
| Strauss, R. : Die Frau ohne Schatten | |
| Folk Songs Of The British Isles | |
| Record labels | EMI |
| Deutsche Grammophon | |
| Epic Records | |
| Opera d'Oro | |
| BNF Collection | |
| Golden Ear Music | |
| Past Classics | |
| Vox Legends | |
| OperaPrima | |
| Job | Opera singer |
| Songs | My Lady Greensleeves |
| The Plough Boy | |
| Kishmul's Galley | |
| The Star Of The County Down | |
| Believe Me, If All Those Endearing Young Charms. . . | |
| Das Lied von der Erde : I. Das Trinklied vom Jammer der Erde | |
| Das Lied von der Erde : II. Der Einsame im Herbst | |
| Zwei, die sich lieben, vergessen die Welt: Giuditta | |
| Because My Baby Don't Mean Maybe Now | |
| Turandot, Act II: Act II Scene 2: No, no principessa altera … | |
| Les contes d'Hoffmann *: Act II: I see a celebration | |
| Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see | |
| Mozart: Le nozze di Figaro, K. 492 / Act 1 - Non so piùAh, son perduto! | |
| Les contes d'Hoffmann *: Act I: There sleep in peace | |
| Die Entfuhrung aus dem Serail, K. 384: Overture | |
| Turandot, Act II: Act II Scene 2: In questa reggia | |
| Die Entführung Aus Dem Serail. Erster Akt: Solche hergelaufne Laffen. Dialog. Erst geköpft, dann gehangen | |
| Carmen, WD 31, Act II: Act II: Bel officier | |
| Symphony No. 9 in D Minor, Op. 125 Ode to Joy: IV. Presto - Allegro assai - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto | |
| Fidelio, Op. 72: Act II: Melodrama and Duet: Wie kalt ist es | |
| Le Nozze di Figaro: Act III, E Susanna non vien!Dove sono i bei momenti | |
| Le Nozze di Figaro: Act II, Venite, inginocchiatevi | |
| Arlecchino oder Die Fenster, Op. 50 BV 270: Es ist schon ganz finster | |
| Die Meistersinger von Nurnberg : Act I Scene 2: Der dichter, der aus eig'nem Flisse | |
| Die Entführung Aus Dem Serail. Zweiter Akt: Frisch zum Kampfe | |
| Le nozze di Figaro, K. 492, Act I: Giovani liete, fiori spargete - Cos'è questa commedia? | |
| Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Sieh - Amme - sieh | |
| Fidelio, Op. 72: Act I: Aria: O war' ich schon mit dir vereint | |
| Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! Wo eilst du hin? | |
| Das Lied von der Erde : VI. Der Abschied | |
| Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Mir anvertraut, dass ich sie hege | |
| Missa solemnis in D Major, Op. 123: I. Kyrie. Assai sostenuto | |
| Skos genre | Classical |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1369868 |
Murray Dickie Life story
Murray Dickie OBE was a Scottish tenor opera singer and director, who established his career in England, Austria and Italy during the 1950s. In addition to his extensive stage work he was a prolific recording artist.
Murray Dickie Photos
