Lauren Flanigan
| Use attributes for filter ! | |
| Gender | Female |
|---|---|
| Age | 66 |
| Date of birth | May 18,1959 |
| Zodiac sign | Taurus |
| Born | San Francisco |
| California | |
| United States | |
| Genres | Classical |
| Albums | Before Breakfast/Lady Macbeth |
| Job | Actor |
| Opera singer | |
| Education | Manhattan School of Music |
| Boston University | |
| San Francisco Conservatory of Music | |
| Songs | Danza Española No. 5 Andaluza |
| Lady Macbeth: Out, damned spot! | |
| Lady Macbeth: Your face, my thane | |
| Lady Macbeth: That which hath made them drunk | |
| Lady Macbeth: The raven himself is hoarse | |
| Before Breakfast: Alfred, why don't you answer me? | |
| Lady Macbeth: These deeds must not be thought | |
| Before Breakfast: The Morning Sun | |
| Before Breakfast: I keep whirling around | |
| Before Breakfast: Keep us, Lord | |
| Appendage: Appendage | |
| Before Breakfast: Opening | |
| Appendage: Last Lullabye | |
| Before Breakfast: Piano Solo | |
| Before Breakfast: Even before your father died | |
| Before Breakfast: You and your blarney | |
| Before Breakfast: Do you think I enjoy | |
| Before Breakfast: I Knew It? | |
| Appendage: Warm Eyes | |
| Appendage: Recognition | |
| Appendage: Tes yeux | |
| Lady Macbeth: Out, damned spot! Out, I say! | |
| Act III Scene 1: Prelude | |
| Lady Macbeth: That which hath made them drunk hath made me bold | |
| Act I: Scene: Drinking champagne always make me so sad | |
| Act II Scene 2: Let them strike twice, And I will come to thee! | |
| Act II Scene 1: From forth the hill … I christen 'Merry Mount' - Maypole Dance | |
| Act I: The willow keep to thatch our sleep | |
| Act III Scene 2: Ay, even now thy lover frets at Hellgate - Death to the Witch | |
| No. 1. Appendage | |
| Act II Scene 3: Rise up, my love my fair one | |
| Act III Scene 2: No witch am I; But one that long ago was happy | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1585104 |
Lauren Flanigan Life story
Lauren Flanigan is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990.