Kolos Kováts
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Age | 76 |
| Date of birth | January 31,1948 |
| Zodiac sign | Aquarius |
| Born | Mohacs |
| Hungary | |
| Genres | Classical |
| Albums | Bartók: Bluebeard's Castle |
| Solti - Bartók | |
| Die Legende von der heiligen Elisabeth | |
| Guillaume Tell | |
| Kovats, Kolos: Verdi Bass Arias | |
| Job | Actor |
| Opera singer | |
| Songs | Ernani: Ernani, Act II Finale: Duet: Vigili pure in ciel - Iddio n'ascolti |
| Nabucco, Act II: Scene and Prayer: Vieni, a Levita! - Tu sul labbro | |
| Ernani: Ernani, Act I: Scene and Aria: Che mai vegg'oi - Infelice! E tu credevi … | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Decorata novo fiore (Church Chorus, Hungarian Bishops, German Bishops, The Whole Church Chorus) | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: O Tag der Trauer (Elisabeth) | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Elisabeth: Beruhigt ist das Toben (Elisabeth) | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Landgrafin Sophie: Herein, herein! Hast du die Botschaft (Sophia, The Seneschal) | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Die Pforte schloss sich (The Seneschal, Sophia) | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Feierliche Bestattung der Elisabeth: Interlude | |
| Die Legende von der heiligen Elisabeth, S2/R477: Part II: Entschieden ist dein Los (Sophia, Elisabeth, The Seneschal) | |
| Cantata Der Friede sei mit dir, BWV 158: I. Recitative Der Friede sei mit dir | |
| Simon Boccanegra, Prologue: Aria: A te l'estremo addio … | |
| I Lombardi alla prima crociata, Act III: Trio: Qui posa il fianco (Giselda, Oronte, Eremita) | |
| Attila: Attila, Act I: Aria: Mentre gonfiarsi l'anima | |
| Mass in C Major, K. 317 Coronation Mass: I. Kyrie | |
| I Lombardi alla prima crociata: I Lombardi all prima crociata, Act I: Recitative and Aria: Vergini! … - Sciagurata! Hai tu creduto | |
| Mass in C Major, K. 317 Coronation Mass: VI. Agnus Dei | |
| I vespri siciliani*: I vespri siciliani, Act II: Prelude, Scene and Aria: O patria, o cara patria - O tu, Palermo | |
| Don Carlo, Act IV: Introduction and Scene: Ella giammai m'amo | |
| Macbeth (Live): Macbeth, Act II: Scene and Aria: Studia il passo - Come dal ciel precipita! | |
| Symphony No. 9 in D Minor, Op. 125 Choral: IV. Finale. Presto - Allegro assai | |
| Ernani: Prelude | |
| Don Carlos, Act IV: Szene. Il Grand'Inquisitor | |
| Nabucco, Act II: Arie. Vieni, O Levita | |
| Mass in C Major, K. 317, Coronation Mass: III. Credo | |
| 3 Dal (3 Songs), Op. 7: No. 1. A magany papja (The Priest of Solitude) | |
| Mass in C Major, K. 317, Coronation Mass: IV. Sanctus | |
| Mass in C Major, K. 317, Coronation Mass: V. Benedictus | |
| 3 Dal (3 Songs), Op. 7: No. 3. Az eltevedt lovas (The Stray Rider) | |
| Mass in C Major, K. 317 Coronation Mass: II. Gloria | |
| I Lombardi, Act III: Scene of the Hermit - E ancor silenzio | |
| Don Carlos, Act II: Szene und Duett. Restate! Al mio regal cospetto Filippo, Rodrigo | |
| The Sicilian Vespers, Act II: Prucide's Aria - O patria! - O tu Palermo | |
| Don Carlos, Act IV: Scena - Il Grand' Inquisitor! | |
| Te Deum, H. 146: Te Deum | |
| St. John Passion, BWV 245: No. 13, Ach, mein Sinn | |
| MacBeth, Act I: Finale. Oh noi perduti | |
| St. John Passion, BWV 245: No. 30, Es ist vollbracht | |
| St. John Passion, BWV 245: No. 9, Ich folge dir gleichfalls | |
| Medea (Medee) (Sung in Italian): Act II: Introduction | |
| Mass No. 2 in G Major, D. 167: Credo | |
| Nabucco: Act II - Zacharias' Aria - Vieni, o Levita - Tu sol labbro | |
| Bartók: Bluebeard's Castle, Sz. 48 Op. 11 - Door 6. Csendes fehér tavat látok | |
| Bartók: Bluebeard's Castle, Sz. 48 Op. 11 - Door 2. Mit látsz? Százkegyetlen szörnyü fegyver | |
| Coronation Mass in C Major, K. 317: I. Kyrie | |
| Don Carlos, Act II: Scena E Duetto Filippo and Rodrigo - Restate! Al mio regal cospetto | |
| St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | |
| St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden - No. 12b, Bist du nicht seiner Jünger einer - No. 12c, Er leugnete aber und sprach | |
| St. John Passion, BWV 245: No. 40, Ach Herr, laß dein lieb Engelein | |
| St. John Passion, BWV 245: No. 14, Petrus, der nicht denkt zurück | |
| E gettata la mia sorteAttila · 1987 Ella in poter del barbaroAttila · 1987 Tregua e cogl'UnniAttila · 1987 View 25+ more | |
| Movies/Shows | Johanna |
| Bánk bán | |
| Opera130: The Palace of the Boulevard | |
| Medea | |
| Awards | Liszt Ferenc Prize |
| Kossuth Prize | |
| List | E gettata la mia sorteAttila · 1987 |
| Ella in poter del barbaroAttila · 1987 | |
| Tregua e cogl'UnniAttila · 1987 | |
| Record labels | Hungaroton |
| EMI Classics | |
| LaserLight Digital | |
| Laserlight Classics | |
| Skos genre | Classical |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1368434 |
Kolos Kováts Life story
Kolos Kováts (Bass) Born: January 31, 1948 - Mohács, Hungary. The Hungarian bass, Kolos Kováts (Kovacz), studied at the Franz Liszt Music Academy in Budapest, where his main teacher was Mrs. Ferenc Révhegyi.
Kolos Kováts Photos
