Jan Tschichold
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Death | 51 years ago |
| Date of birth | April 2,1902 |
| Zodiac sign | Aries |
| Born | Leipzig |
| Germany | |
| Date of died | August 11,1974 |
| Died | Locarno |
| Switzerland | |
| Parents | Maria Zapff Tschichold |
| Franz Tschichold | |
| Job | Graphic designer |
| Type designer | |
| Nationality | German |
| School | Modernism |
| Education | Hochschule für Grafik und Buchkunst Leipzig |
| Academy of Fine Arts Dresden | |
| Current partner | Edith Tschichold |
| Date of Reg. | |
| Date of Upd. | |
| ID | 437492 |
The New Typography
Treasury of Alphabets and Lettering
Schriften, 1925-1974
Leben und Werk des Typographen Jan Tschichold
Jan Tschichold, Designer: The Penguin Years
Livre et typographie
Chinese Colour Prints from the Ten Bamboo Studio
1948-1974
Formenwandlungen der et-Zeichen
Erfreuliche Drucksachen durch gute Typographie
Jan Tschichold, Typographer and Type Designer, 1902-1974
How to draw layouts
Was Jedermann vom Buchdruck wissen sollte
Pierre Le Be, Paris 1601: A Reproduction of His Book of Letter Forms
Die neue Typographie
The form of the book
Typografische Gestaltung
Asymmetric typography
Treasury of Alphabets and Lettering
Schriften, 1925-1974
Leben und Werk des Typographen Jan Tschichold
Jan Tschichold, Designer: The Penguin Years
Livre et typographie
Chinese Colour Prints from the Ten Bamboo Studio
1948-1974
Formenwandlungen der et-Zeichen
Erfreuliche Drucksachen durch gute Typographie
Jan Tschichold, Typographer and Type Designer, 1902-1974
How to draw layouts
Was Jedermann vom Buchdruck wissen sollte
Pierre Le Be, Paris 1601: A Reproduction of His Book of Letter Forms
Die neue Typographie
The form of the book
Typografische Gestaltung
Asymmetric typography
Jan Tschichold Life story
Jan Tschichold was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures.