Heiner Müller
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Death | 30 years ago |
| Date of birth | January 9,1929 |
| Zodiac sign | Capricorn |
| Born | Eppendorf |
| Germany | |
| Date of died | December 30,1995 |
| Died | Berlin |
| Germany | |
| Spouse | Brigitte Maria Mayer |
| Children | Anna Müller |
| Job | Playwright |
| Poet | |
| Dramaturge | |
| Theatre Director | |
| Essayist | |
| Movies/Shows | Abgehauen |
| The time is out of joint | |
| Der aufhaltsame Aufstieg des Arturo Ui | |
| Plays | Hamletmachine |
| The Mission | |
| Quartett | |
| Die Umsiedlerin | |
| Macbeth: nach Shakespeare | |
| Influencee | Robert Wilson |
| Slavoj Žižek | |
| Susan Sontag | |
| Jacques Derrida | |
| Christoph Hein | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 476513 |
A Heiner Müller Reader
Theatremachine
Hamlet- machine. Horace - Mauser - Héraclès 5, et autres pièces
Three Plays: Philoctetes, The Horatian, Mauser
Germania 3, les spectres du mort-homme
The Battle: Plays, Prose, Poems
Explosion of a Memory
Germania Tod in Berlin
Heiner Müller After Shakespeare: Macbeth, Anatomy Titus Fall of Rome
Heiner Müller: Germania
Krieg ohne Schlacht. Leben in zwei Diktaturen. Eine Autobiographie
Kopien
Theater-Arbeit
Geschichten aus der Produktion
Die Prosa
Rotwelsch
L'homme qui casse les salaires
Der Lohndrücker
Gedichte
Krieg ohne Schlacht
Quartet
Theatremachine
Hamlet- machine. Horace - Mauser - Héraclès 5, et autres pièces
Three Plays: Philoctetes, The Horatian, Mauser
Germania 3, les spectres du mort-homme
The Battle: Plays, Prose, Poems
Explosion of a Memory
Germania Tod in Berlin
Heiner Müller After Shakespeare: Macbeth, Anatomy Titus Fall of Rome
Heiner Müller: Germania
Krieg ohne Schlacht. Leben in zwei Diktaturen. Eine Autobiographie
Kopien
Theater-Arbeit
Geschichten aus der Produktion
Die Prosa
Rotwelsch
L'homme qui casse les salaires
Der Lohndrücker
Gedichte
Krieg ohne Schlacht
Quartet
Heiner Müller Life story
Heiner Müller was a German dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre.