Gil McElroy
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Born | Metz |
| France | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 488317 |
Cold Comfort: Growing Up Cold War
Dream Pool Essays
Gravity and Grace: Selected Writing on Contemporary Canadian Art
St. Art
So High that I Could Almost See Eternity : Symposium of Performance Art : 11-15 November 1997, Sackville, New Brunswick, Canada
Razzle Dazzle: The Uses of Abstraction
Raw & Cooked
Last Scattering Surfaces
Hide in Plain Sight: Peter Dykhuis, Adrian Göllner
Pianoworks : Imagining the R. S. Williams Piano Factory : Murray Favro, Alexander Graham, Ryan Legassicke, Carl Zimmerman
Taxonomies : New Drawings by Susan Wood
Sympathetic Hunting Magic: Niall Donaghy, Shelly Rahme
Alexandra McCurdy : S. O. S : Sources of Support
E. Nancy Stevens
Critical Mass: Sculpture by Shayne Dark
Ordinary Time: The Merton Lake Propers
Cold Comfort
NonZero Definitions
X-ray Specs
Crosswords
Dan Steeves : Things We Put on a Hill
Dream Pool Essays
Gravity and Grace: Selected Writing on Contemporary Canadian Art
St. Art
So High that I Could Almost See Eternity : Symposium of Performance Art : 11-15 November 1997, Sackville, New Brunswick, Canada
Razzle Dazzle: The Uses of Abstraction
Raw & Cooked
Last Scattering Surfaces
Hide in Plain Sight: Peter Dykhuis, Adrian Göllner
Pianoworks : Imagining the R. S. Williams Piano Factory : Murray Favro, Alexander Graham, Ryan Legassicke, Carl Zimmerman
Taxonomies : New Drawings by Susan Wood
Sympathetic Hunting Magic: Niall Donaghy, Shelly Rahme
Alexandra McCurdy : S. O. S : Sources of Support
E. Nancy Stevens
Critical Mass: Sculpture by Shayne Dark
Ordinary Time: The Merton Lake Propers
Cold Comfort
NonZero Definitions
X-ray Specs
Crosswords
Dan Steeves : Things We Put on a Hill
Gil McElroy Life story
Gil McElroy Gil McElroy's poems and other works have been published in countless periodicals throughout North America since the late 1970s; issued in a number of self-published chapbooks, broadsheets and one-of-a-kind book works. . . .
