Eva Děpoltová
| Use attributes for filter ! | |
| Gender | Female |
|---|---|
| Death | 6 years ago |
| Date of birth | August 5,1945 |
| Zodiac sign | Leo |
| Born | Bratislava |
| Slovakia | |
| Date of died | July 16,2017 |
| Albums | Martinů: Les Jeux de Marie, Cycle of 4 Operas |
| Record labels | Supraphon |
| Marco Polo | |
| Mozart: Don Giovanni | |
| Songs | Part II: The Death of Enkidu: Gilgames, why runnest thou?. . . |
| Part I: Gilgamesh: Yea, as I see thee, like to a God, Enkidu, shalt be. . . | |
| Part III: Invocation: The hap of my friend lay on me heavy. . . | |
| Part I: Gilgamesh: To the appeal of their wailing Goddess Aruru. . . | |
| Part I: Gilgamesh: Go, my hunter, take with thee a courtesan girl. . . | |
| Part III: Invocation: The earth seized him and not the plague. . . | |
| - Andante, tempo rubato | |
| - IV. Vivace (att. ) - V. Andante, temto rubato | |
| Part III: Invocation: God gave ear to his speaking, opened a hole in the earth. . . | |
| Part II: The Death of Enkidu: Gilgamesh and Enkidu now become devoted friends. . . | |
| Part I: Gilgamesh: Forth went the hunter, took with him a courtesan girl. . . | |
| Part III: Invocation: Gilgamesh having failed to learn the secret of eternal life. . . | |
| Part I: Gilgamesh: The advice of the woman struck home in his bosom. . . | |
| Part II: The Death of Enkidu: Enkidu raised not his eyes, his heart made no beat. . . | |
| Part II: The Death of Enkidu: Enkidu lay for a day, yea, a second. . . | |
| Part III: Invocation: Enlil, my Father, the Death hath stricken me. . . | |
| Part III: Invocation: Introduction | |
| Part II: The Death of Enkidu: When I entered in the house of the dust. . . | |
| Part I: Gilgamesh: Then he turned his face to his cattle. . . | |
| Part III: Invocation: 'Twas the earth which hath seized him. . . | |
| Part III: Invocation: Gilgamesh, why is thy force so wasted?. . . | |
| Part II: The Death of Enkidu: Who, my friend, is unconquered by death? | |
| Part II: The Death of Enkidu: The hap of my friend lay on me heavy. . . | |
| Part II: The Death of Enkidu: Unto me hearken, o Elder, to me shall ye listen!. . . | |
| Part I: Gilgamesh: 'Tis he, o girl, 'tis he! O discover thy beauty. . . | |
| Part III: Invocation: Ea, my Father, open a hole in the earth. . . | |
| Part I: Gilgamesh: nor knew the people nor land. . . | |
| Part III: Invocation: Moon God, my Father, open a hole in the earth. . . | |
| Part I: Gilgamesh: Gilgamesh!. . . | |
| Under the Apple Tree, Op. 20: IV. Dark Shadow Fell | |
| Under the Apple Tree, Op. 20: II. You Blue River | |
| Kašpar Rucký, . | |
| - Allegro non troppo | |
| Aida. Opera in 4 Acts - Act 3 - Pur ti riveggo, mia dolce Aida | |
| Eva. Opera in 3 Acts, Op. 50 - Act III - Přitul se blíž, svou dej mi ruku | |
| Symphony No. 9 in D Minor, Op. 125 Choral: IV. Presto - Allegro assai | |
| Don Giovanni, . , Act II: Ah! Dove e il perfido Scena ultima Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina | |
| Don Giovanni, . , Act II: Sola sola in buio loco Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina | |
| Don Giovanni, . , Act I: Mi par ch´oggi il demonio si diverta- Ah ti ritrovo ancor Don Giovanni, Donna Anna, Don Ottavio | |
| Don Giovanni, . , Act II: Calmatevi, idol mio Donna Anna, Don Ottavio | |
| Don Giovanni, . , Act I: Ah! del padre in periglio - Ma qual mai s´offre, oh Dei - Fuggi, crudele fuggi! Sc. III Donna Anna, Don Ottavio | |
| Don Giovanni, . , Act I: Don Ottavio, son morta - Or sai chi l´onore Donna Anna, Don Ottavio | |
| Don Giovanni, . , Act I: Ecco il birbo che t´ha offesa Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina | |
| Don Giovanni, . , Act I: Riposate, vezzose ragazze! Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina | |
| Dalibor, . , Act II: Oh, Goodness! Milada, sestra purkrabího ploškovického | |
| The Greek Passion, H. 372, Act IV: The Name of the Young Man Was Written in the Snow (Kateřina, vdova) | |
| Dalibor, . , Act I: What Storm Here in My Bosom Is Raging Milada, sestra purkrabího ploškovického, Jitka, selské děvče na statcích Daliborových | |
| Don Giovanni, . , Act I: Bisogna aver coraggio Donna Anna, Don Ottavio, Donna Elvíra | |
| The Greek Passion, H. 372, Act IV: Oh Lord Let Our Cry, Our Cry Come unto Thee (Lenio, Patriarcheova schovanka, Fotis, kněz, Kateřina, vdova) | |
| Don Giovanni, . , Act I: Non ti fidar, o misera Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra | |
| The Kiss, . , Act I, Scene 6: Just as I Said Otec Paloucký, Vendulka, jeho dcera, Lukáš, mladý vdovec | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1514862 |
Eva Děpoltová Life story
Eva Děpoltová was a Czech operatic soprano. She recorded the title role in Šárka opposite tenor cs:Vilém Přibyl as Ctirad in conductor Jan Štych's Supraphon recording of 1978. Her other regular roles include the title role in Libuše by Bedřich Smetana.
Eva Děpoltová Photos
