Cynthia Nixon
Use attributes for filter ! | |
Gender | Female |
---|---|
Age | 58 |
Date of birth | April 9,1966 |
Zodiac sign | Aries |
Born | Manhattan |
New York | |
United States | |
Height | 171 (cm) |
Spouse | Christine Marinoni |
Children | Samuel Joseph Mozes |
Max Ellington Nixon-Marinoni | |
Charles Ezekiel Mozes | |
Job | Politician |
Voice Actor | |
Theatre Director | |
Awards | Tony Award for Best Lead Actress in a Play |
Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series | |
Tony Award for Best Featured Actress in a Play | |
Primetime Emmy Award for Outstanding Guest Actress in a Drama Series | |
Grammy Award for Best Spoken Word Album | |
Drama Desk Award for Outstanding Featured Actress in a Play | |
GLAAD Media Vito Russo Award | |
Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series | |
Party | Democratic Party |
Parents | Walter E. Nixon Jr. |
Anne Elizabeth Knoll | |
Date of Reg. | |
Date of Upd. | |
ID | 424598 |
Warm Springs
Baby's Day Out
Little Darlings
The Pelican Brief
A Quiet Passion
Too Big to Fail
Amadeus
The Big C
James White
Little Manhattan
The Manhattan Project
The Babysitters
World Without End
Addams Family Values
Stockholm, Pennsylvania
One Last Thing. . .
Lymelife
Rampart
Marvin's Room
5 Flights Up
Killing Reagan
Igby Goes Down
Tanner '88
Let It Ride
I Am the Cheese
O. C. and Stiggs
The Only Living Boy in New York
The Adderall Diaries
Advice from a Caterpillar
The Murder of Mary Phagan
Tanner on Tanner
An Englishman in New York
Papa's Angels
My Body, My Child
The Love She Sought
Through an Open Window
Love, Lies and Murder
Face of a Stranger
'M' Word
Sex and the Matrix
Tattoo
The Private History of a Campaign That Failed
The Discreet Pleasures of Rejection
My Letter to the World
The Parting Glass
The Cottonwood
Syriana
Mark Twain
Sex and the City
The Gilded Age
Ratched
Cynthia Nixon Life story
Cynthia Ellen Nixon is an American actress, activist, and theater director. For her portrayal of Miranda Hobbes in the HBO series Sex and the City, she won the 2004 Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series.
Kim Cattrall to appear in And Just Like That series finale
... Parker and Cattrall starred alongside Cynthia Nixon and Kristin Davis as Carrie, Samantha, Miranda and Charlotte...
Chris Noth: Sex and the City actresses show support for accusers
... Sarah Jessica Parker, Cynthia Nixon and Kristin Davis said they were " deeply saddened" to hear of the allegations...
And Just Like That: 'Moodier' Sex and the City revival splits opinion
......
And Just Like That: 5 things we spotted in the Sex and the City trailer
... Cynthia Nixon is set to return as Miranda Hobbes, Kristin Davis as Charlotte York, and Sarah Jessica Parker as Carrie Bradshaw, the journalist who can afford a luxurious New York lifestyle writing one column a week...
And Just Like That: 'Moodier' Sex and the City revival splits opinion
Sex and The City has been revived for a new Series - But critics are split over whether it was worth bringing Back .
the Series , titled And Just Like That , " never should have been made" and doing so without Kim Cattrall " feels more like a cold, cynical business move than a true comeback".
Cattrall, who played Samantha, has not returned following a fall-out with co-star Sarah Jessica Parker .
But it is " so good That Cattrall must be kicking herself".
It is " a return to form" which is " a minor miracle" The Paper 's critic Adam White wrote in his four-star review.
" There are still guffaws and Glamour - Parker , in particular, looks unsurprisingly Spectacular - But it also has emotional heft. "
the new Series proves The Remaining three characters are " worthy of a comeback".
" The Show 's greatest potential [is] an honest portrayal of the lives of 55-year-old women, a group we almost never see centred in TV and film, " wrote Jennifer Keishin Armstrong.
" Parker , [Kristin] Davis and [Cynthia] Nixon slip seamlessly Back into their roles and camaraderie, The Sight of which will hit any fan with a jolt of warm nostalgia. "
It is 17 years since The Last Series of Sex and The City and 11 since The Second , much derided feature film.
'Needlessly bitchy'Four new main cast members have been added to fill Samantha's designer shoes and improve the diversity on screen.
Other reviews were less kind. the new show, which arrived on Thursday, as " tediously woke and needlessly bitchy".
She explained: " How does The Show tackle the fact That it's been 17 years since we last saw them on TV? Extremely badly. Not so much the references to ageing, such as the conversations about Miranda letting her hair Go Grey (Charlotte disapproves of this), But the references to the woke times in which We Live . "
Unlike the original, the new version is not a comedy at heart, she decided. Its message is: " In your fifties you can still have fashion. You just can't have fun. "
'Teething troubles'The First 20 Minutes " are terrible" and there is " a Series of excruciating scenes, That could have been written by a high School Student for a particularly terrible High School sketch show".
However, The Paper 's critic Lucy Mangan did concede: " There are reasons to hope That these are teething troubles only.
" There is a handful of good lines, there are flashes of The Old spirit and there is one sex scene. . That recalls the genuinely pioneering original, and what fun it used to be. "
That " the flounce and fizziness of the original Series are largely absent from this moodier and more self-serious one".
In fact, Sex and The City and And Just Like That are " two completely separate shows That just happen to share a continued narrative" she wrote.
And Just Like That is " not Sex and The City exactly as you remember it"
She wrote: " The main three's newfound social and cultural awareness is shoe-horned in to such a degree the whole endeavour feels often cloying, at times inauthentic and occasionally downright uncomfortable. And this is really something it needed to Get Right . "
the attempts to address issues with the original Series did not ring true.
The First episodes " feel less like urgent storytelling than panicked legacy-salvaging" she wrote.
" In apologising for its past wrongs, The Show forgets to do what it did best: spin relatable yarns in which humour and camaraderie can help get past the worst New York City can throw at you. "
She also explained: " It's admirable, I suppose, to reposition Carrie and company as white women who've recently realised they've still gotta do The Work to earn the progressive bona fides they'd taken for granted as sexually liberated career women of the late 1990s and early 2000s.
" But boy, is watching their white feminist fumbles dull. "
Source of news: bbc.com