Charles-Marie Widor
| Use attributes for filter ! | |
| Gender | Male |
|---|---|
| Death | 88 years ago |
| Date of birth | February 21,1844 |
| Zodiac sign | Pisces |
| Date of died | March 12,1937 |
| Died | Paris |
| France | |
| Nationality | French |
| Alma mater | Koninklijk Conservatorium Brussel |
| Parents | François-Charles Widor |
| Fran-coise Elisabeth Widor-Peiron | |
| Job | Teacher |
| Composer | |
| Organist | |
| Music critic | |
| Education | Koninklijk Conservatorium Brussel |
| Songs | Symphony for Organ No. 5 |
| Bach's Memento: No. 4. Marche du veilleur de nuit | |
| Introduction et rondo, op. 72 | |
| Bach's Memento: No. 1. Pastorale, flûte et hautbois | |
| Andante sostenuto | |
| Symphonie pour orgue et orchestre: I. Allegro maestro | |
| Symphony for Organ No. 5: V. Toccata | |
| Lord, Save Thy People | |
| Symphony for Organ No. 6 | |
| Trois Nouvelles Pieces, op. 87: II. Mystique | |
| Piano Quintet No. 1 (Widor) | |
| Sérénade, op. 10 | |
| Symphonie n° 3, op. 69 | |
| Symphonie pour orgue nº 9 de Widor | |
| Symphonie pour orgue et orchestre: II. Andante | |
| Organ Symphony no. 7 in A minor, op. 42 no. 3: VI. Finale. Allegro vivace | |
| Organ Symphony no. 4 in F minor, op. 13 no. 4: V. Adagio | |
| Piano Concerto no. 2 in C minor, op. 77: III. Tempo deciso | |
| Suite Latine, op. 86: II. Beatus vir (Andante) | |
| Papillons bleus, op. 31 no. 2 | |
| Marche nuptiale (Conte d'avril) | |
| Piano Trio in B-flat major for Piano, Violin and Cello, op. 19: II. Andante con moto quasi moderato | |
| Organ Symphony no. 5 in F minor op. 42/1: Andantino quasi allegretto | |
| Piano Concerto no. 2 in C minor, op. 77: II. Andante | |
| Violin Sonata no. 1, op. 50: II. Andante | |
| Sinfonia sacra, op. 81 | |
| Organ Symphony no. 5 in F minor op. 42/1: Allegro vivace | |
| Suite pour flûte et piano, op. 34: I. Moderato | |
| Organ Symphony no. 7 in A minor, op. 42 no. 3: IV. Allegro ma non troppo | |
| Symphonie pour orgue N° 6 en Sol mineur, op. 42 N° 2: III. Intermezzo | |
| Symphonie antique, op. 83: II. Adagio | |
| Six valses caractéristiques: No. 3. Valse rêverie | |
| Ode sur le vaisseau Le Vengeur | |
| Tantum ergo, op. 18 no. 1 | |
| Piano Concerto no. 1 in F minor, op. 39: III. Allegro | |
| Symphonie antique, op. 83: I. Allegro moderato (Te Deum) | |
| Organ Symphony no. 1 in C minor, op. 13 no. 1: II. Allegretto | |
| Organ Symphony no. 3 in E minor, op. 13 no. 3: II. Minuetto | |
| Messe à deux chœurs et deux orgues, op. 36: Benedictus | |
| Symphonie pour orgue N° 6 en Sol mineur, op. 42 N° 2: V. Finale | |
| Organ Symphony no. 4 in F minor, op. 13 no. 4: VI. Finale (Moderato) | |
| Suite Latine, op. 86: VI. Lauda Sion (Tempo di Marcia) | |
| Piano Trio in B-flat major for Piano, Violin and Cello, op. 19: III. Scherzo | |
| 3 Pieces, op. 21: No. 3. Canzonetta | |
| Suite florentine: I. Cantilena | |
| Sinfonia sacra: II. Adagio | |
| Il tempo passato, op. 32 no. 2 | |
| Messe à deux chœurs et deux orgues, op. 36: Gloria | |
| Organ Symphony no. 8 in B major, op. 42 no. 4: I. Allegro risoluto | |
| Suite Latine, op. 86: IV. Ave Maris Stella (Andante moderato molto) | |
| Symphonie pour orgue N° 6 en Sol mineur, op. 42 N° 2: I. Allegro | |
| Listen artist | www.youtube.com |
| Current partner | Mathilde de Montesquiou-Fézensac |
| Born | Lyon |
| France | |
| Genres | Chamber Music |
| Opera | |
| Classical | |
| Ballet | |
| Record labels | Musikproduktion Dabringhaus und Grimm |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1672301 |
Charles-Marie Widor Life story
Charles-Marie-Jean-Albert Widor was a French organist, composer and teacher of the late Romantic era. As a composer he is known for his ten organ symphonies, especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.